Armando Iannucci’s lacerating second feature film is blacker than tar, and many Veep fans may not know what to do with it.
In the second half of our predictions roundtable, the FOTS team talks Cinematography, Score, and those pesky shorts.
It’s the first half of our annual predictions and gripes roundtable, leading off with the craziest Best Picture race in years.
For the second year in a row Chase Branch has seen all the Oscar-nominated short films, and is looking to give you an edge in your Oscar Pool.
Darkest Hour may not be a great film, but Gary Oldman’s performance is still worth celebrating.
The Good Place upends itself again in an understated season finale.
Don’t miss out on Mackenzie Crook’s lovely BAFTA-winning series, which recently made its final season available on our shores.
Netflix’s German co-production is Lost meets Stranger Things, for adults. It’ll also make your brain hurt.
The most memorable movies of the year celebrated empathy in a year where that came at a premium.
Spielberg’s latest is both a historical crowd-pleaser and a galvanizing call to action.