Everyone say it with me, one more time: “The best Star Wars since Empire Strikes Back.” Okay? We’ve got that part down.
If Tommy Wiseau was put on this planet to make The Room, James Franco was born to make The Disaster Artist.
Tyler runs down the best Songs of the Year, featuring a heaping helping of insistent and ebullient hip-hop moments, from emergent artists cementing their place to entrenched superstars topping themselves over again.
In a year of social turmoil, the best albums of the year got angry, vulnerable, and fuzzy. Tyler breaks them down.
Dee Rees’ poignant film adaptation of Hillary Jordan’s 2008 debut novel Mudbound deals in hopes and dreams promised, unfulfilled, and broken.
Frances McDormand and Sam Rockwell anchor Martin McDonagh’s latest ode to the human condition, playing damaged, grieving shells lashing out in search of redemption or vengeance, whichever comes first.
The animation studio’s latest is another technological leap forward and places an affectionate spotlight on Mexican culture.
It’s a miraculous directorial debut from Greta Gerwig, full of rich emotion, specificity, and award-earning performances.
Kenneth Branagh’s star-studded remake is as classy and mildly entertaining as your mom would want in an Agatha Christie adaptation.
Halo, Half-Life, and Star Wars: These are the games that define the decade.