The Killing of a Sacred Deer reveals Yorgos Lanthimos as the modern master of dark absurdism, if that’s your thing.
Mindhunter already has a great look and performances. Now it just needs the writing to match.
Once a middling Mad Men clone, Halt and Catch Fire showed how much character still matters in the era of Peak TV.
Denis Villeneuve’s Blade Runner sequel rejects blatant fan service and honors its thematically complex source material the best way possible: by elevating it in new and original ways.
Darren Aronofsky obviously has an eye for intriguing source material, but he’s still struggling to turn it into a film that can stand on its own.
It isn’t afraid to let the kids take the lead, and succeeds because of it. Continue reading Review: They Finally Got ‘IT’ Right
Long separated characters reunite before Game of Thrones drops yet another dazzling battle sequence.
Katheryn Bigelow’s Detroit showcases a director at the peak of her powers, but without an effective story to tell.
With an outstanding ensemble cast and sharp writing to ground its outlandish subject matter, GLOW is a knockout.
In an already banner year for horror It Comes at Night is another ace, an exercise in restraint and mental terror. Continue reading ‘IT COMES AT NIGHT’ Excels At Psychological Horror