How many times can the same story be told without losing its magic? That’s the question at the heart of the latest iteration of A Star is Born, and one that the film directly addresses.
Ari Aster’s directorial debut Hereditary has been in wide release for a couple of weeks now and the buzz has been deafening, but how much of it is earned?
Darkest Hour may not be a great film, but Gary Oldman’s performance is still worth celebrating.
Luca Guadagnino’s adaptation is an emotional and visually stunning depiction of first love.
Dee Rees’ poignant film adaptation of Hillary Jordan’s 2008 debut novel Mudbound deals in hopes and dreams promised, unfulfilled, and broken.
It’s hard to remember that when Stranger Things premiered last year there was little publicity for it outside of a couple intriguing trailers.
Sean Knight chimes in with mini-reviews of some of the latest from Netflix and Hulu.
Mel Gibson’s controversial inclusion for Best Director signals that his work is still worth appreciating.
Netflix’s newest original series series is much greater than the sum of its parts.
Director Steven Spielberg’s first film flying under the Disney banner, The BFG, is very much the work of an aging filmmaker. That isn’t meant as an insult.