Armando Iannucci’s lacerating second feature film is blacker than tar, and many Veep fans may not know what to do with it.
Ava DuVernay’s messy adaptation delivers visual sublimity and a strong message, punctuated by moments of unbearable awkwardness.
In the second half of our predictions roundtable, the FOTS team talks Cinematography, Score, and those pesky shorts.
It’s the first half of our annual predictions and gripes roundtable, leading off with the craziest Best Picture race in years.
For the second year in a row Chase Branch has seen all the Oscar-nominated short films, and is looking to give you an edge in your Oscar Pool.
Love it or hate it, Alex Garland’s gorgeous and challenging follow-up to Ex Machina is like nothing else you’ll see at the movies this year.
Equally thrilling and thought-provoking, Ryan Coogler’s entry to MCU is an important piece of Black Art.
Darkest Hour may not be a great film, but Gary Oldman’s performance is still worth celebrating.
The most memorable movies of the year celebrated empathy in a year where that came at a premium.
Spielberg’s latest is both a historical crowd-pleaser and a galvanizing call to action.