The world of CARS is still utter lunacy, but there’s something satisfying about this unwanted third installment.
In an already banner year for horror It Comes at Night is another ace, an exercise in restraint and mental terror. Continue reading ‘IT COMES AT NIGHT’ Excels At Psychological Horror
You have a lot of choices for how to spend your weekend. To save some time, here are fun-sized reviews of some fair-to-middling Netflix original movies.
Patty Jenkins and Gal Gadot haven’t just delivered a great superhero film, but a great film, period — and not a moment too soon.
The new adventure with Star Lord and the gang gets the job done, providing steady laughs and a deeper emotional core.
Sloppy writing hamstrings an all-star cast, reducing a mid-tier Black Mirror episode to a lower-tier Black Mirror episode.
James Gray’s classy jungle adventure owes more to David Lean than to Werner Herzog.
Jake Gyllenhaal and Ryan Reynolds can’t breathe life (heh) into a rote genre exercise and Alien clone that will probably still make its money back.
Julia Ducournau’s audacious feature length debut stuns, blending vampiric hedonism, junkie freak outs, the struggles of being a genius in a room full of slackers, and freshman year hazing into a impeccably shot parable to self-control.
Disney keeps its live-action train rolling with another enchanting adaptation.
Continue reading Review: ‘BEAUTY AND THE BEAST’ and The Fountain of Youth