Katheryn Bigelow’s Detroit showcases a director at the peak of her powers, but without an effective story to tell.
Christopher Nolan’s first historical film contains his usual tricks, but with grand ambition and immaculate detail.
The trilogy began better than the material deserved; it ends better than we deserve.
Marvel takes back the web-slinger and hits ‘SPIDER-MAN: HOMECOMING’ out of the park.
“Do you ever just want to be in a relationship, just so you can relax?”
Edgar Wright’s first film in four years is rollicking stunt car extravaganza.
The world of CARS is still utter lunacy, but there’s something satisfying about this unwanted third installment.
In an already banner year for horror It Comes at Night is another ace, an exercise in restraint and mental terror. Continue reading ‘IT COMES AT NIGHT’ Excels At Psychological Horror
You have a lot of choices for how to spend your weekend. To save some time, here are fun-sized reviews of some fair-to-middling Netflix original movies.
Patty Jenkins and Gal Gadot haven’t just delivered a great superhero film, but a great film, period — and not a moment too soon.