In which I rank sitcoms based on my arbitrary whims. This week, Parks celebrates its 100th episode, the Greendale gang gets sucked into a David Fincher film, and much more.
In which our resident prognosticators attempt to make sense of the nonsensical: the Golden Globes. Today, we take a look at the film nominees…
In spotlighting the best of cinema in 2013, one would be remiss not to discuss Cate Blanchett’s performance in Woody Allen’s masterful character study Blue Jasmine. Nominated for a Golden Globe amongst stiff competition, Blanchett has swept nearly every award thus far, and for good reason.
Director John Wells tries to navigate a star-laden film adaptation of the hit Chicago play, August: Osage County, with dismal results.
In which our resident prognosticators attempt to make sense of the nonsensical: the Golden Globes. Today, we take a look at the television nominees…
Jeff Nichols’s coming-of-age, southern fairy tale is the year’s best film. So why has everyone forgotten about it?
Buoyed by an excellent performance from Robert Redford in a career full of them, All is Lost is a confident, visceral film from an emerging director.
We open in the dead of night, the castle in shadows to signify those we’ve lost and what lies ahead this season for the residents of the Abbey.
After a series of would-be prestige pictures, critically lambasted Dan Brown novel adaptations, and a dreadful Vince Vaughn comedy (The Dilemma), Ron Howard returns to the screen with a hyperactive Formula One racing drama.
Scott Cooper follows up his 2009 debut feature, Crazy Heart, with a moody and self-conscious thriller that isn’t entirely a step in the right direction.