In which our resident prognosticators attempt to make sense of the nonsensical: the Golden Globes. Today, we take a look at the television nominees…
Jeff Nichols’s coming-of-age, southern fairy tale is the year’s best film. So why has everyone forgotten about it?
Buoyed by an excellent performance from Robert Redford in a career full of them, All is Lost is a confident, visceral film from an emerging director.
We open in the dead of night, the castle in shadows to signify those we’ve lost and what lies ahead this season for the residents of the Abbey.
After a series of would-be prestige pictures, critically lambasted Dan Brown novel adaptations, and a dreadful Vince Vaughn comedy (The Dilemma), Ron Howard returns to the screen with a hyperactive Formula One racing drama.
Scott Cooper follows up his 2009 debut feature, Crazy Heart, with a moody and self-conscious thriller that isn’t entirely a step in the right direction.
COMMUNITY is back! And not just, like, back on TV, but back-back.
As a child I watched Spielberg and played my Sega Master System; growing up I watched Cameron and played my Sega Genesis; and when I came of age it was Nolan, Aronofsky and Fincher while playing on my Sega Saturn and Playstation 2.
Walt Disney attempts to tell its own story in a star-studded, highly-glossed package.
I was nine years old when my dad gave me The Beatles’ White Album and unknowingly created a monster.