EMMYS 2013: Who Will (and Should) Win?

This Sunday, Neil Patrick Harris hosts the Emmys, which purports to honor the finest television of last year, but is mostly an opportunity for the voters to repeatedly honor the same people over and over again. If the Golden Globes are awful because of their nomination process, at least they usually get the winners right. The Emmys, meanwhile, are constantly behind the curve. Will anything change this year? Let’s dive into the nominations…

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J.J. Abrams’ s first Star Trek film was a surefire hit right out of the gate, impeccably cast and bringing some desperately-needed energy to a franchise that had been starting to drown in its own convoluted canon. Many of Abrams’s choices upset die-hard Trek fans, but I wasn’t among them–like Abrams, I’ve always kind of been more of a Star Wars guy and didn’t care much what was “different.” It wasn’t perfect, but I really thought the 2009 entry was a total blast from beginning to end, and expectations for the inevitable sequel were sky-high.

Continue reading Re-View: STAR TREK INTO DARKNESS

New Fall Series: Four I’m Checking Out

I pay close attention to pilot season, and often get intrigued by new pilots involving writers or actors I love. Last year, there were a handful of series I picked up from the get-go, almost all of which were cancelled (R.I.P., Last Resort. You never had a chance, Awake.) It’s just part of the deal, the recognizing that the cream doesn’t always rise to the top.

Consider how many pilot scripts get submitted…then what tiny percentage of those get bought by a network, cast and filmed…then what tiny percentage of those actually make it to air…then what even tinier percentage of those survive a full season and come back. It’s a wonder anything good ever gets made.

That said, here are four new shows (two dramas, two comedies) debuting this Fall that I really hope are good, and don’t get cancelled.

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David’s Favorite Films, #24: SCOTT PILGRIM VS. THE WORLD

Edgar Wright is one of the most dynamic and inventive young directors on the planet today. He cut his teeth on the English sitcom Spaced, which was co-written by the show’s leads, Simon Pegg & Jessica Hynes. It featured a dazzling array of visual quirks, including whip pans, frantic montages, meta dream sequences, and constant nods to tentpoles of nerd culture. The hilarious “male telepathy” scene from Season 2 lays a foundation for what Wright would attempt in his feature film career, culminating in this under-appreciated gem of a film.

Continue reading David’s Favorite Films, #24: SCOTT PILGRIM VS. THE WORLD

David’s Favorite TV Series, #25: ORPHAN BLACK

The fledging BBC America series Orphan Black has finished just its first season, but it has already cemented its place among the post-LOST sci-fi/action elite. A great deal of that has to do with the tightly wound storytelling and plausible layers of mythology, but the singular, defining aspect of the show for many (okay, for all) is the absolutely titanic central performance from Canadian actress Tatiana Maslany.

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Entertainment reviews and commentary since time immemorial (or 2013).