Mindhunter already has a great look and performances. Now it just needs the writing to match.
In the worst feature we’ll ever write, FOTS writers target classic films to be dashed against the rocks of cold-blooded criticism. Each of us apologizes for the poor taste of the others.
With GONE GIRL hitting the screen this weekend, two Fellowship writers discuss the choices director David Fincher and writer Gillian Flynn made in adapting the source novel for the screen.
Gone Girl somehow meets, defies, and exceeds expectations as modern literature’s most dysfunctional marriage finally makes its screen debut.