Denis Villeneuve’s Blade Runner sequel rejects blatant fan service and honors its thematically complex source material the best way possible: by elevating it in new and original ways.
Damien Chazelle’s elaborate homage to Golden Age musicals is an old thing in an old package. I think that’s the point.
Russell Crowe and Ryan Gosling are comedy gold but The Nice Guys can’t overcome a sloppy script.
Adam McKay’s acidic housing market farce has energy to burn, but doesn’t always know where to aim it.