Christopher Nolan’s first historical film contains his usual tricks, but with grand ambition and immaculate detail.
The plot of Alejandro G. Iñárritu’s The Revenant is easy enough to understand. It’s everything that comes after it that’s hard.
George Miller brings us roaring back to the desert, utterly embarrassing every other action movie in recent memory.
Tom Hardy drives his BMW for 85 minutes, and the result is a tense, raw, entirely engaging film experiment.