All posts by David

Teacher, drummer, media junkie. I watch way too much television and collect Blu-rays like candy. My wife tells me that if I'm going to sit on the couch all day I should at least "do something with it," so here's a blog. Twitter: @dav_mcg

New Fall Series: Four I’m Checking Out

I pay close attention to pilot season, and often get intrigued by new pilots involving writers or actors I love. Last year, there were a handful of series I picked up from the get-go, almost all of which were cancelled (R.I.P., Last Resort. You never had a chance, Awake.) It’s just part of the deal, the recognizing that the cream doesn’t always rise to the top.

Consider how many pilot scripts get submitted…then what tiny percentage of those get bought by a network, cast and filmed…then what tiny percentage of those actually make it to air…then what even tinier percentage of those survive a full season and come back. It’s a wonder anything good ever gets made.

That said, here are four new shows (two dramas, two comedies) debuting this Fall that I really hope are good, and don’t get cancelled.

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David’s Favorite Films, #24: SCOTT PILGRIM VS. THE WORLD

Edgar Wright is one of the most dynamic and inventive young directors on the planet today. He cut his teeth on the English sitcom Spaced, which was co-written by the show’s leads, Simon Pegg & Jessica Hynes. It featured a dazzling array of visual quirks, including whip pans, frantic montages, meta dream sequences, and constant nods to tentpoles of nerd culture. The hilarious “male telepathy” scene from Season 2 lays a foundation for what Wright would attempt in his feature film career, culminating in this under-appreciated gem of a film.

Continue reading David’s Favorite Films, #24: SCOTT PILGRIM VS. THE WORLD

David’s Favorite TV Series, #25: ORPHAN BLACK

The fledging BBC America series Orphan Black has finished just its first season, but it has already cemented its place among the post-LOST sci-fi/action elite. A great deal of that has to do with the tightly wound storytelling and plausible layers of mythology, but the singular, defining aspect of the show for many (okay, for all) is the absolutely titanic central performance from Canadian actress Tatiana Maslany.

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David’s Favorite Films, #25: RATATOUILLE

It’s not a huge secret that many Pixar productions, at least to outsiders, take on the appearance of being “troubled.” The animation juggernaut has produced commercial and critical hit after hit* since the original Toy Story set the industry on fire back in 1995, but the production process has occasionally hit some speed bumps.

Not everyone can become a great artist, but a great artist can come from anywhere.

-Anton Ego

Toy Story 2 was rescued from the direct-to-video trash heap and given a brand-new script. John Lasseter took over Cars 2 from the original director when that film started to have problems. Mark Andrews took the reins of Brave after Brenda Chapman (Pixar’s first female director) was dismissed. Even the highly-respected Bob Peterson was relieved from next year’s The Good Dinosaur, reasons unknown (fortunately, he’s not leaving the company).

We may never know what the original Ratatouille would have looked like, and on what scale Brad Bird made changes when he came in to replace Jan Pinkava, but we do know this: Bird crafted an exceptional film.

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Upcoming Releases: Sept-Dec 2013

Here (and at the “IN THEATERS” link up top) is your handy guide to what’s coming soon to a theater in San Antonio. It’s by no means an exhaustive list of “everything good”–this is simply what I’m most interested in. If it’s in bold, I’m definitely planning to see it right away. The main page will be updated regularly, with links to trailers where I can find them.

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